Don’t touch my husband’s song: Dembo’s widow rants at Silent Killer over late maestros song
The Zimbabwean music industry has been rocked by a fierce dispute as Mai Morgan, widow of the legendary musician Leonard Dembo, unleashes a stern warning against Zimdancehall sensation Silent Killer. The controversy erupted over Silent Killer’s unauthorized rendition of the iconic “Musha Rudziiko,” which has become a staple in his performances.
Leonard Dembo’s widow, Mai Morgan, has sent a warning to Silent Killer for copying the late music icon’s song.. IHarare news
Mai Morgan’s fiery message comes in response to Silent Killer’s adaptation of the song, which he performed over the “Ndire Ndire” instrumental by ZCC Mbungo Stars. Despite the remix’s growing popularity among fans, the late musician’s widow has taken a firm stance against the unauthorized use of her husband’s musical legacy.
In an emotionally charged video that has since gone viral, Mai Morgan made it crystal clear that artists cannot freely help themselves to Dembo’s music simply because he is no longer alive. She emphasized that proper protocols must be followed, specifically directing interested artists to consult with Dembo’s children, Tendai and Morgan, for the necessary permissions.
“We’re not looking to create unnecessary drama or legal battles,” Mai Morgan stated, “but if you want to use Leonard’s songs, his children are here. Come and have a proper discussion with them about your intentions.” Her words have ignited a heated debate within Zimbabwe’s music community about artistic respect and copyright protection.
The controversy has split public opinion, with some defending Silent Killer’s creative interpretation as a modern tribute to the legendary artist, while others staunchly support Mai Morgan’s protection of Dembo’s musical heritage. As tension mounts, Silent Killer’s silence on the matter has only fueled further speculation about potential legal implications and the future of musical sampling in Zimbabwe’s evolving music landscape.
The unfolding drama raises crucial questions about balancing artistic innovation with respect for musical legacies in Zimbabwe’s dynamic entertainment industry.
